Aside from the slightly cheesy presentation, the unforgivable mispronunciations of Moog & Ableton, and crediting Avid, not Digidesign, with the creation of Pro Tools, this is an interesting podcast from NokiaConnects featuring Trevor Horn & Thomas Dolby. The Fairlight gets a couple of mentions too 
Worth 23 minutes of anybody’s time. More of a layman’s piece than something that speaks to the cognoscenti. Enjoy! 
A qualified and accredited training professional, I have excellent interpersonal skills, possessing talents that encompass all aspects of the training cycle including needs analysis, design, delivery and evaluation. My creative qualities always ensure an excellent product, be it in a classroom or electronic environment. I have experience in both public and private sector industries, from blue chip to SME's, and possess full SC Level National Security Clearance.
I am a full Member of both the Learning & Performance Institute (MLPI) and British Computer Society (MBCS), and have a TAP Certificate in Training Delivery Skills. I am also a Certified Online LearningFacilitator, accredited by the LPI.In addition to this, I am qualified in Prince2 Project Management to Foundation Level.
I own and write a successful music industry blog, Failed Muso, and am a freelance consultant to numerous music technology software developers, artists and engineers. I have worked on projects with companies such as Akai, Alesis, Hollow Sun, GForce Software, Horizontal Productions & Peter Vogel Instruments. I run regular song writing challenges, a concept I conceived to encourage new, original music making amongst the Propellerhead Reason community.
I compose, record and remix music as part of the duo Page-R. We have collaborated with such people as Lori Cunningham and have our material on sale globally.
Some comments are quite depressing. Especially the one Tervor Horn made, even though he’s my biggest hero, but he’s so right. Having said that, Rembrandt also died poor and had to deal in other people’s paintings to make a living. We tend to think times are different, but they’re not.
Even though I love technology and grew up with the Fairlight and MIDI, I think technology is a 100% to blame for the state music’s in today. We deny it because we have become dependent on it.