The Legend Returns…
I’ve waited a whole lifetime to be able to announce the release of a new Fairlight….
FOR IMMEDIATE RELEASE Jan. 13, 2011
The Legend Returns
Fairlight CMI-30A Prototype to be Revealed At NAMM
· Production prototype of the Fairlight CMI 30th Anniversary Edition debuts tomorrow at NAMM
· $20,000 ‘vintage sampler’ faithfully recreates the look and feel of the 80’s classic which changed
the course of music
· Peter Gabriel, Kate Bush, Jean-Michel Jarre, Stevie Wonder, Herbie Hancock and many other
icons of the eighties made musical history using their Fairlights
When the Fairlight CMI arrived on the scene in the eighties it changed the way we made music, forever.
Today every sampler, digital synthesiser, sequencer and audio workstation can trace its lineage back to this
legendary machine. Known for its solid, hand-built quality and iconic sounds, the Fairlight CMI holds a
special place in history and in the hearts of musicians everywhere. Used extensively by Peter Gabriel, Kate
Bush, Jean-Michel Jarre, Stevie Wonder, Herbie Hancock and many others, the profound and lasting
influence of the Fairlight CMI on the history of modern music is hard to exaggerate. It was, without doubt, the
quintessential sound of the eighties.
Now, after thirty years, the Fairlight CMI returns. The prototype of the limited anniversary edition, the CMI-
30A, will be revealed at NAMM this week.
While maintaining the hallmark look and feel of the original Series II Fairlight, the CMI-30A harnesses the
latest technology to deliver ‘that Fairlight sound’ no other system has achieved. Unlike modern samplers
which strive for precise reproduction and accordingly produce a sterile sound, the CMI of the eighties made
no apologies for imposing its own character. The quirks of this pioneering digital audio technology have been
faithfully modelled in the 30A. The result is a distinctive sound which, in the spirit of vinyl records and tube
amps, delivers a nostalgia hit.
In its initial form, the CMI-30A replicates the functionality of the original Series II and Series III CMIs. The
user experience is quite different from that of a conventional PC and mouse and like the original is based on
a light pen which interacts directly with a screen.
The character of this new instrument is continuously variable in real time. As you crank up the 30A’s unique
‘goodness control’, the quality morphs from pristine 36 bit floating point fidelity into the soulful sound that
made music history. Turn it up to 11 and it sounds more Fairlight than Fairlight – chock full of eighties
goodness!
Orders are now being taken for production units. Software development is continuing towards the release
version which will deliver a unique combination of classic Fairlight warmth and cutting edge processing
power. Only a fraction of the available resources are used to reproduce the original Fairlights. Optional
software upgrades will be available for those who want to unlock that surplus capability.
With Fairlight father Peter Vogel at the helm, Fairlight Instruments brings a little eighties magic to the cold,
hard digital world of 2011.
CMI-30A, the legend returns.
http://www.fairlightinstruments.com.auDownload Fairlight CMI-30A NAMM flyer from http://www.fairlightinstruments.com.au/public/Fairlight_NAMM_flyer.pdf
Further images downloadable from http://www.fairlightinstruments.com.au/public/
Contact: Peter Vogel peter.vogel@fairlightinstruments.com.au
Fairlight Instruments Pty Ltd
Until 20th Jan 2011 on (US) Phone: +1 714 271 5325
Phone: (AUS) +61 247 518735 after 22nd Jan 2011
Come back soon for much more on the new Fairlight over the coming days as pictures, audio and video emerge. I hope to do a comprehensive round up within the week.

























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